NEW YORK TIMES: The New York Times published an October-surprise story alleging the Peltola campaign had recruited an opponent with a similar name to incumbent Dan Osborne to confuse voters and water down the incumbent’s support. Even though that is perfectly legal, Trump’s DOJ is desperately rushing to investigate. Here’s hoping Peltola’s popularity and the impending blue wave will be enough to overcome any misgiving over this nonstory.
POLITICO: Disgruntled piece of shit Haley Stevens waited until days before the election to try to peel off voters from El-Sayed, who beat her fair and square. Between her and Jasmine Crockett, it makes you wonder how many candidates in the party are in it for themselves totally. Thin-skinned people who are more concerned about their own egos than the all-important Senate race.
Future POTUS Pete Buttigieg says of Michigan:
“I’ve never met somebody who I agree with on 100 percent of everything. But when our health care is at stake, when a chance to have a more affordable everyday life is at stake, the choice is clear: Mike Rogers has disqualified himself.”
OUT.COM: The amazing Dot-Marie Jones on falling in love with her Breeder villain character. Here, the kind of mixed review that makes me long to see a horror movie.
MODUS VIVENDI: Check out MV’s Lingerie Lace line.
VARIETY: The doc We Had a Plan — which follows a pair of Filipino boyfriends who worked for a decade as undocumented immigrants in the Netherlands before returning home — has been picked up for distribution. Watch the brand-new trailer:
ATTITUDE: A drag queen sold bricks from a demolished Miami Pride-rainbow crosswalk to raise — GASP! — $25K to support Pride celebrations in South Florida. Kudos to Miss Bouvèé! (My only note for her is that with that clever last name her brows should look like the accents on her Es.)
OUTSMART: Meet queer comic Jonah Nigh.
JOE.MY.GOD.: Mamdani banking on NYC raking in $500M from wealth tax.
PINK NEWS: Some LGBTQ+ personalities who People might’ve considered when naming Sexiest Man Alive.
OUTSPORTS: Gay Poodle Beach in Delaware is receiving a major historic honor.
TMZ: Tyler Perry is duking it out in court with his SA accuser.
INSTAGRAM: Bobby Wright, the last survivor of the rather large McHale’s Navy cast, has died at 84.
MR. MAN: The following text is via Mr. Man — if you subscribe to them, Boy Culture gets a little % and thanks you for your support:
“A daddy dick is one of those things in life that’s hard to describe, but you know it when you see it. Today we searched far and wide to bring you the five hottest daddy dicks from movies and television. Think beards, salt-and-pepper hair, muscles, swagger, and of course, big daddy dicks!”
See the full daddy dick playlist here
“We can thank Jérôme Niel’s brand-new daddy dick scene in season one of Paolo for inspiring this list. Joining him are Leonardo Marques, who washes his dick in the sink in Love, Sex and Pandemic and Alan Bates and Oliver Reed, who compared their penis size before filming their famous naked wrestling scene in Women in Love. Plus, keep watching for Austin Stowell’s thick cock in Three Women and the ultimate French daddy Guillaume Labbé getting wild in Escort Boys. Forget daddy issues, these daddies will have you reaching for the tissues …”
“First up is Austin Stowell in Three Women. At age 40 during filming, he’s on the younger side of daddy dickism. Stowell’s character lays down some pipe for a very appreciative Betty Gilpin in a sex scene that includes a shot of Stowell’s actual daddy dick as well as his very convincing erect prosthetic.”
“Next it’s Guillaume Labbé in Escort Boys. This French daddy plays a male prostitute, and whatever he’s charging, it’s worth the cost of admission. Labbé flaunts everything the good Lord blessed him with in some casual nude scenes, plus gets wet and wild in a very hot calendar photo shoot.”
“The man who inspired this list, Jérôme Niel, kept the daddy train rolling into 2026 in Paolo. We clocked what he had stuffed into his undies in the premiere episode when he wakes up with a raging boner. In episode five, Jérôme leaves no doubt when he struts in front of the mirror fully naked!”
“Our runner-up daddy dick is Leonardo Marques. He’s the third Frenchman in a row on our list, and yes, I did just book my ticket to France. Bonjour boys! Except they’re not boys. They’re daddies. In Love, Sex and Pandemic, Leonardo pretty much does the unthinkable when he saddles up to the sink to wash off his cock. He checks all of the daddy boxes and has a huge dick to boot.”
“Finally, Alan Bates and Oliver Reed practically invented the daddy dick when they wrestled fully naked in 1969’s Women in Love. Both actors admitted to comparing their penis size prior to filming to help ease any tension. The fight scene is an explosion of testosterone so intense that I’m certain a professional cleanup crew was deployed afterward. What can I say? I have it baddie for daddy.”
See the full daddy dick playlist here
NEWFEST: NewFest38 is a wrap! All the winners:
Grand Jury Award for U.S. Narrative Feature: Test, directed by Sam McConnell and written by/starring Brock Yurich
“This film stood out for its quietly assured filmmaking and stunning performances. Thoughtful, understated direction and cinematography allow the actors room to breathe, creating an intimacy with characters navigating connection and alienation. Through the lens of an amateur bodybuilder, a familiar story of queer self-discovery finds specificity and emotional depth. Its portrayal of a working-class family is matter-of-fact and unsentimental, preserving complexity and dignity without turning hardship into spectacle. Never forced, saccharine, or didactic, this film does a lot with little. Test is a powerful testament to independent filmmaking.” — Jurors Andre Seward, Abigail Thorn, and Ingrid Jungermann.
Special Mention, U.S. Narrative Feature: Tangles, directed by Leah Nelson
“This film earns our special jury mention for its masterful animation and the care evident in every frame. Its vibrant, inventive visual language beautifully captures the spirit of queer San Francisco in the ‘90s. These are fully fleshed-out characters, difficult and endearing in turn. Affectionate and consistently funny, this film is both deeply personal and universal. Tangles is a remarkable exploration of how complicated it is to be human.” — Jurors Andre Seward, Abigail Thorn, and Ingrid Jungermann.
Grand Jury Award for International Narrative Feature: Elephants in the Fog, directed by Abinash Bikram Shah
“The Grand Jury Prize goes to Abinash Bikram Shah’s Elephants in the Fog, a film that fiercely embraces the Kinnar community of Nepal and deftly portrays the complexities of motherhood and the inextricable bond of found family. The film’s underlying strength is steered by lead actress Pushpa Thing Lama, who brings a stunning force to the story, and whose elegance uplifts the similarly brilliant ensemble. The film’s assured direction, immersive sound design, and potent script all make this an accomplished feature debut, one that the industry should take note of. We look forward to seeing what director Abinash Bikram Shah does next.” — Jurors Raymond Ang, Leonard Cortana, and Malkah Manouel.
Special Mention, International Narrative Feature: The Riverbank directed by Enock Carvalho and Matheus Farias
“For its immersive and poetic exploration of the queer subversive cruising landscapes of Northeastern Brazil’s mangroves, The Riverbank enriches global audiences’ understanding of Afro-Brazilian queer traditions through strong performances, striking cinematography, and a distinctive neo-noir aesthetic. Its compelling secondary characters explore chosen families and alternative forms of resistance while confronting a heteropatriarchal society where politics and religion threaten queer and labor rights, highlighting the urgency of these conversations in the region’s current political climate.” — Jurors Raymond Ang, Leonard Cortana, and Malkah Manouel.
Jury Acknowledgment, International Narrative Feature: Tiger directed by Anshul Chauhan
“In a remarkably strong year for NewFest’s International Narrative Feature category, the jury would also like to acknowledge the ensemble of Anshul Chauhan’s Tiger, a stylishly shot and boldly directed film that interrogates the realities and pressures that plague Japan’s gay community through the compellingly nuanced coming-of-middle-age story of a gay masseuse in Tokyo, played with great sensitivity by Takashi Kawaguchi, and the community around him, a stellar cast led by Maho Nonami and Yuya Endo.”
Grand Jury Award for Documentary/Nonfiction Feature: No Money No Honey, directed by Nicole Costa
“Rooted in the home videos of its radiant subject, Máxima, No Money No Honey is a deeply sensitive and intentional meditation on the life-saving role that chosen family can play for queer and trans sex workers struggling to make ends meet. It is challenging, in content and form, in ways that demand attention by centering the images and community members of Máxima’s world, allowing them to share their lives on their own terms – a perspective rarely encountered on screen with such intimacy and intentionality. No Money No Honey is a profoundly moving film, and we’re honored to select it for the NewFest Documentary Feature Grand Jury Award.” — Jurors Brydie O’Connor, Daniel Torres, Imran Siddiquee
Special Mention, Documentary/Nonfiction Feature: The Hidden Face of the Earth, directed by Arnaud Alain
“This is a film that forced us to slow down and look – and feel – more deeply. Interwoven with visual lyricism and atmospheric imagery, it intimately explores grief and connection when the sense your passion relies on slips away. The jury is proud to present this special mention to The Hidden Face of the Earth.” — Jurors Brydie O’Connor, Daniel Torres, Imran Siddiquee
Grand Jury Award for New York Short Film, presented in partnership with The Gotham Film & Media Institute: Wholesome, directed by Kimmy Campbell
“Wholesome is Kimmy Campbell’s debut short film. Written by Campbell and their talented co-star Olivia Lucy Phillip, Wholesome exuberantly taps into the importance of our relationships with people, places, and your local New York corner store. It follows two friends distraught over the closing of their second resident home. Rooted in queer black joy, and a celebration of diverse communities coexisting, the film’s confident yet distinctly dry and upbeat comedic energy set it apart. With sharp visual and audio storytelling sensibility, Campbell and Phillip quickly earn the hearts of audiences. — Jurors Charlie Barnett, Yoko Kohmoto, Chris Feil
Special Mention, New York Short Film, presented in partnership with The Gotham Film & Media Institute: Tuna Tartare, directed by Lena Greene
“Tuna Tartare follows Tuna, an expired can of tuna fish, and her journey through radical self-acceptance, despite quite literally being trash. Using bold imagery and some uniquely charming musical numbers, Tuna Tartare reminds us that ‘doubt kills more dreams than failure ever will.’ Deeply clever, deliciously queer, and humorously deranged, its director, creator, and star Lena Greene is unafraid to root the story in very true realities of our current and potential future. With clear vision and sharp humor, Tuna Tartare makes even a moldy can of tuna shine. The Jury recognizes Tuna Tartare for NewFest’s Short Film special mention.” — Jurors Charlie Barnett, Yoko Kohmoto, Chris Feil
Excellence in Cinematography, New York Short Film, presented in partnership with The Gotham Film & Media Institute and ARRI Rentals: Sophia Feuer, director of photography of High Voltage
The Jury recognizes Sophia Feuer and their excellence in cinematography for the short film, High Voltage. Feuer builds on and illuminates the film’s feelings and themes through the lens. Utilizing intimate and deliberate space, lighting and movement Feuer leads the eye, and captures the stories elements of possibility, flirtation and even danger. Spanning over multiple locations, with unique natural elements, it succeeds in creating a cohesive and driven visual scope.
NEWFEST38 EMERGING BLACK LGBTQ+ FILMMAKER AWARD WINNERS:
Carlton Daniel Jr., director of Fly
“We were particularly touched by Carlton’s masterful storytelling, which we perceive as a heartfelt tribute to the black youth on screen. The film is brimming with captivating cinematic moments, physical performances, and scenes that linger in our minds, evoking a profound sense of connection. It leaves us feeling truly seen and understood. Crafting a short film of this caliber requires intention, skill, and a touch of finesse, so Carlton, girl you did that!!!! We celebrate Carlton, the writer, director, and producer of Fly, as both a skilled craftsman and an emerging storyteller.” — Jurors Trent Farrington, Daniella Carter, and Chester Algernal
DW McCrary, director of Searching 4 Saturn
“Searching 4 Saturn is an incredibly urgent film. We honor this short for its complex portrayal of black queer life, particularly in the south. Despite the pervasive presence of anti-blackness and afropessimism, especially in the deep south, the Black southern queer experience remains unwavering and brilliant, yet continuously overlooked. It pushes the aesthetic sensibilities of southern gothics into a new frontier. Joshua and DW remind us of the true essence of southern charm and the beauty inherent in the black and queer dualities. Thank you, Searching 4 Saturn, for this hybrid sermon and reminding us that our existence transcends the confines of spaces designed to contain it.” — Jurors Trent Farrington, Daniella Carter, and Chester Algernal
Mariah Norman, co-director of And Again I Dream
“This documentary, co-directed by Mariah Norman, sheds light on a crucial topic that is often overlooked. It is a legacy that we owe to ourselves and future generations. Throughout [Ivy Young’s] career, she dedicated herself to writing and journalism, covering the underrepresented communities across the country, particularly the Native Americans, Jews, and Palestinians. Her work serves as a valuable lesson for all of us. Beyond her professional achievements, she is a queer elder, role model, and icon. This documentary not only honors her remarkable legacy but also demonstrates how we can transform an archive into something beautiful. One final lesson from her life is: ‘If you attempt to fight your oppressors without singing, you will remain unseen even if you eventually succeed. Singing empowers activists to venture into the battlefield.’ And we will sing and dance to that in the road to freedom.” — Jurors Trent Farrington, Daniella Carter, and Chester Algernal
NEWFEST38 AUDIENCE AWARD WINNERS:
Audience Award for Narrative Feature
Winner: Before I Do directed by Gary Jaffe
Runner-Up: Test directed by Sam McConnell
Audience Award for Documentary/Nonfiction Feature
Winner: Gays Against Guns directed by Paul Rowley
Runner-Up: Uncle Roy directed by Keri Pickett
Audience Award for Narrative Short
Winner: Daddy Has Me Detransitioning directed by Yoyo Rita
Runner-Up: The Last Vaginoplasty in the United States of America directed by Drew Burnett Gregory
Audience Award for Documentary/Nonfiction Short
Winner: Road Runner directed by Yaz Josiah
Runner-Up: The Doll Walk directed by Qween Amor and Ashley Ryan
Teen Choice Audience Award for Best Teen Short Film
Winner: Crush.exe directed by Victor Torres
Runner-Up: Eyeliner directed by Aisha Boudjillouli